I am now coming to the end of my second
contract on a ship. I will finish this module on the ship but will be
completing the last module on land. For me I need to create an inquiry that is
versatile, that will accommodate both situations.
As Paula knows I have been back and fourth
with my inquiry question. I decided to ask myself two questions;
What do I do well? And, What do I want to
do on my return to the UK?
Appendix A
For myself and along with all professional
dancers I want to get a job on land with in my profession and not have to work
a “normal” job. This is up to me no one can help. I will be teaching at a local
dance school but I would rather be on stage and leave that for later in my
career.
I then asked a group of 14 people three
questions.
What
do you do to prepare for an audition?
I will need to audition. I have been to a
fair few but if I knew how to do a perfect audition, if there was such a thing
I need to be close to it.
What
makes a good performer?
I want to stand out. In my opinion and
experience performance makes you. It shows somebodies passion and can
potentially get them the job.
If
you could have been given one bit of advise before you started your full time training,
what would it have been?
I will be teaching young adults that are
training to go to a professional dance college. I want them to have more
knowledge than I did. I want to inspire and give them advise.
Appendix B – The group of 14 people started
writing their ideas on the paper I left, shortly after it turned into a full on
discussion, which I was not prepared for. I noted down as much as I could.
PICTURES
OF SPIDER DIAGRAMS
I noticed a link in a lot of the answers I
received.
“Life experience” “Game Face” Making hard
steps look easy and easy steps look good” Face!
Face! Face! Even if you mess up, do NOT show it on your face” “Ability to recover effortlessly” “Character” “Be versatile” No
matter what have fun, and sell the performance with your face” “Dance should be fun, if it
isn’t you will see it on your face” “Always
remember where you are from” “Act on what you feel” “Dance should be an
extension of what you are and how you feel” “originality
stands alone” – all of the previous are quoted from the informal discussion,
Appendix B.
Ethics is all about acting appropriately in
different places. From the answers I received I feel like having a successful
career is about acting correctly at the right time and place. Does acting
contribute to a dancers performance? Could this contribute to me gaining a job?
I am going to pilot this question while
trialing my inquiry methods.
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